

今晚于草场地荔空间正在举行“谈话就是运动”。为了此次活动,马永峰请我参加他的作品,六个人两个小时的时间内坐在一起,不谈话,同时在戈壁二十多个艺术家正在讨论CCA中国当代艺术的意义和未来。无谈就是无谈。。。
同时在展厅里我们能看到吴玉仁在布他的作品的过程:“这里的艺术很臭”。

今晚于草场地荔空间正在举行“谈话就是运动”。为了此次活动,马永峰请我参加他的作品,六个人两个小时的时间内坐在一起,不谈话,同时在戈壁二十多个艺术家正在讨论CCA中国当代艺术的意义和未来。无谈就是无谈。。。
同时在展厅里我们能看到吴玉仁在布他的作品的过程:“这里的艺术很臭”。
I was quite exciting to go to see what was going for the second edition of the art performance festival in Caochangdi... dreaming about Zhang Huan, Zhu Ming and the East village performances... but at the end I was quite disappointed... hopefully at end up to Caochangdi workstation/ living dance studio to see the second part of the May festival. There young choreographers' were showing their new works, some of the outdoors performances were pretty interested...
I realize that some people are coming to China looking for validations of what they heard about the country, its culture and its civilization. (Don’t need to talk here about people who said that they done China after visiting Shanghai and Beijing) From my own point of view, traveling should be a profound human experience. If you are coming to China to find what you rode about it in books and media, then there is no point to come. China is an amazing country for human experiences; just make your own Chinese experience, feel it, live it with a free mind. Just open your eyes and your heart and live it as it is.
我发现有人到另外一个国家就是来确认他们对这个国家、文化和民族的偏见。对我来讲旅行应该是一个非常深刻的有人性的经验。如果到另外一个国家是来证明在书上看过或者通过媒体听过的事实,那就没有必要去接触另外一个文化。应该心灵空白地来经验对方的文化、感受它,体验它;包容地来体验这个现实。
Liang Shuo’s work displayed during ArtBeijing was totally surrealistic in the middle of the fair. I felt that the work was so close to a certain Chinese reality that it looked so fake, especially in this kind of environment ! It was like a bomb put in the middle of ArtBeijing… Liang Shuo “Are you an art terrorist?”
在北京艺术博览会里面,梁硕的作品看起来特别超现实的。我感觉这个作品那么靠近现实得让你感觉是假的一样,特别是在这样的环境里来对比。感觉象一个炸弹放在北京艺术里面。梁硕你是不是一位艺术恐怖分子?
The performance consisted in pilling out the tree of its bark, the tree was hung in the middle of the artist's studio. On the side the public attempting to the opening was busy enjoying the wine and the buffet provided by the artist.
This performance made me think about the relation between creation and destruction? The destruction as a part of the creation/ Creation! Ruin to rebuilt or Ruin to ruin?!
As the opening took place in the artist's studio, this performance is also raising the question of the relation between artist and gallery. Do artists still need galleries to represent their works (at least the famous ones) ? What the future of China-based galleries as they are being more and more often left out of the deals...
画画的过程有什么帮助?是不是发泄的一个方式?你画画的时候你有没有怒气的感觉还是什么样的感觉你在画画二元性的内容的时候?
二元性的内容我觉得是在这个时候我在研究自己的感觉是什么,年轻一点的时候,这是跟发泄和愤怒找不到一个好的办法早一点,是大战的结果,到前面我在开始研究我自己的感觉是怎么把他们两个分开,分开后才知道不同的感觉有什么不一样,然后要找到另外一个办法。比如到现在应该会不一样,包括 我的生活方式,你的想法总是决定你的生活方式,你的里面外面完全一样的时候,你会生活得很危险但是可能也很舒服,因为你会告诉你想要的从里面也从外面但是有时候不太容易因为社会有一个规则 ,所以这个也是争斗的一个过程,你肯定跟这些东西要争斗到你很强的时候你就不管因为你知道怎么做。我还在过程当中但是很快,差不多。
因为你是一位艺术家你肯定在生活里要找丰富的东西,二元性是很丰富的一种情绪,你有没有想到不争斗接受?
我做过,比如说我2006 年的时候我在家里画画没争斗,接受也很好放弃跟外面争斗,放弃了,恢复自己,还有在研究自己里面的东西。我觉得是好的,放弃就是一种,你会得到更多你真想要的东西,有的时候选择是对的,比如说可能在生活上有时候有点不方便的,经济问题但是在青神上是越来越对,往一个对的方向去。不是内容两个东西在争斗,象以前我在试验的时候我自己很清楚我要两个方向一起研究,这个是为什么我的亲身开始争斗最后,因为人总是不会把它分清楚的, 有大脑,有心,你的大脑决定你要怎么做,但是也是一种试验的过程,我同时在做了我自己的计划跟丽江工作室的这样的事情,最后出现研究的结果还是不能同时做两个事情,所以现在做意见事情包括最后是我的画发音我的感觉,在生活里,包括出了问题。这个也是很重要的对你要试验,因为我经过了一个很长的过程,一个人在创造里面这种,一个人在工作室里面想,后来我觉得不够,应该跟别人交流。我花了十年的时间做了这些事情。这个是很好的经验。